Although movie gearheads might remember Rope as the first Hitchcock film shot in Technicolor, its more important contribution to the director’s oeuvre stems from the nature of the murder it depicts. The strangulation of David Kentley (Dick Hogan) at the hands of two university chums, Brandon Shaw (John Dall) and Phillip Morgan (Farley Granger), has no motive. This killing is fundamentally unlike the crime of passion in The Paradine Case or even the murder swapping in Strangers on a Train. The young men in Rope are driven to the act not by greed, lust, ambition, anger, or insanity, but by mere pleasure-seeking. To them, murder is an aesthetic end in itself.