Sep 132013
 

Broken Blossoms, directed by one of cinema’s technical pioneers D.W. Griffith, illustrates why the creation of art shouldn’t concern one race apologizing to another for the mistakes of history—namely because the result can’t help but be politically correct pablum. Sure, maybe Griffith had gone too far in Birth of a Nation, depicting the KKK as white-steed-riding warriors who saved the nation from the “evils” of miscegenation. But hey, it’s a viewpoint—albeit a distorted one—and, at the risk of stating the obvious, he has a right to express it under our Constitution without being coerced by resentnicks into issuing an apology in filmic form.

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